Saturday, May 19: Mystery Masterclass
We are pleased to offer this piece by the Dean of mystery short story writers, 2001 MWA Grand Master and 1968 Edgar Award for Short Story winner Edward D. Hoch, probably the most admired short crime fiction author alive–certainly by all of us!
by Edward D. Hoch
Happily, people don’t often ask any more why I write short stories instead of novels, but there was a time early in my career when it seemed to be the favorite question of interviewers. I did actually publish five quickly forgotten novels between 1969 and 1975, but it was clear to me even then that I was a short story writer. The ideas came quickly, as they still do, and I enjoyed the exhilaration of finishing a story in a couple of weeks rather than waiting several months before concluding a novel. As many others have observed over the decades, the short story was the first and perhaps most successful medium of the detective story. For Poe and Doyle and Chesterton it was the only medium, even when Doyle tried to stretch out a few of his stories to something approaching novel length.
Graham Greene, successful in both novels and short stories, once examined the pros and cons of each form. Although writing a long novel could be wearying, it often provided surprises for the author by taking an unexpected turn. This was less likely to happen in a short story, where the brief plot is pretty much laid out in the author’s mind before the writing gets under way. Still, the short story offers the advantage of being quickly conceived and written. A novel, Greene pointed out, takes a year or more to write, and the author is not the same person at the end as he was at the beginning. At least one modern author has solved that problem by revising the beginning of the novel after the end is reached, but a vision of endless rewriting might be the discouraging result.
Since I published my first story in 1955, I have relied more and more on series characters. A few critics prefer my stand-alone tales, especially the somewhat noirish stories I wrote early in my career. But writing regularly for publications like Ellery Queen Mystery Magazine, I have tried to develop characters like Dr. Sam Hawthorne and tell their life story through decades of time. The Hawthornes are realistic stories, one hopes, with only the frequent intrusion of murder adding a touch of improbability. I find my series stories fun and easy to write. I hope the reader finds them as much fun to read. I have nearly 940 stories published to date, in magazines and anthologies. I guess it’s too late to switch to novels now.
940! (Probably 942 as I write this.)
Mr. Ed Hoch writes so prolifically, his stories compete with each other in popularity! You can’t pick up an issue of Ellery Queen without finding one of his gems.
It’s an honor to have you on our page, Ed. Thanks for participating. I have told a lot of people that one of the proudest moments of my writing career was when I moderated a panel on short stories at the Seattle Bouchercon. The panelists all met in the green room and then marched in a line to the conference room: Larry Block, me, Ed Hoch, etc. I thought: this is pretty cool company to be keeping.
Cheers.
Mr. Hoch, I am a devoted fan (after Stephen King’s “Misery” we’re all afraid to say, “Your # 1 fan,” so I won’t.) Yours is the first story I read in Ellery Queen each issue. I agree with what you’ve said here at Criminal Brief about not being the same author at the ending of a novel as you were at the beginning, but that’s not always a bad thing — hopefully, we’ve grown as writers. Please never stop writing the short stories. I’m hooked as are many other of your faithful readers.
What not a lot of people take note of is that in a Hoch story, even though justice is done, the ending is usually a bit on the downbeat side. I love them nonetheless!
[…] Although I met Ed only this last spring when I sat beside his wife and him at dinner, I think I’ve always been aware of his writing. He’s been a part of the fabric of my sense of mystery since my earliest days. In our second week on-line, Ed wrote the master class. […]
Mr. Hoch also wrote non detective stories that a friend turned me on to. The Zoo is a well written short story that is worth a read.