The Docket

  • MONDAY:

    The Scribbler

    James Lincoln Warren

  • MONDAY:

    Spirit of the Law

    Janice Law

  • TUESDAY:

    High-Heeled Gumshoe

    Melodie Johnson Howe

  • WEDNESDAY:

    Tune It Or Die!

    Robert Lopresti

  • THURSDAY:

    Femme Fatale

    Deborah
    Elliott-Upton

  • FRIDAY:

    Bander- snatches

    Steven Steinbock

  • SATURDAY:

    Mississippi Mud

    John M. Floyd

  • SATURDAY:

    New York Minute

    Angela Zeman

  • SUNDAY:

    The A.D.D. Detective

    Leigh Lundin

  • AD HOC:

    Mystery Masterclass

    Distinguished Guest Contributors

  • AD HOC:

    Surprise Witness

    Guest Blogger

  • Aural Argument

    "The Sack 'Em Up Men"

    "Crow's Avenue"

    "The Stain"

    "Jumpin' Jack Flash"

    "The Art of the Short Story"

    "Bouchercon 2010 Short Story Panel"

Thursday, July 19: Femme Fatale

RISKING IT ALL

by Deborah Elliott-Upton

When my husband and I watch TV game shows where a contestant must decide whether to continue and risk losing the monies already won or walk away with cold hard cash and give up the chance of winning the jackpot, we take different paths. My husband would take the money and run. Personally, I’d risk it all.

My theory is I had nothing going into the game and so nothing to lose. To me, it’s as if the monies were bills from a Monopoly bank. My darling husband believes people who gamble against a sure thing have a screw or two loose. Hmm, maybe I do, but maybe that’s why I’m a writer.

In my writing classes, the students whose characters are more at risk tend to have the better stories. However, getting new writers to understand this truth isn’t always easy. At the beginning of the classes, I hand out copies of my article, Risky Writing, composed when a student couldn’t quite “let go” and write the type of stories he had buried within him.

Risky Writing
The best writing always begins with a risk. Write about a strong emotion, a sexy situation, a horrendous murder, explore a childhood memory or turbulent teenage years. The twist is to do it as if no one would ever read it. In this protected realm, you write from your soul.
Share thoughts you hide from the P.T.A., your pastor and closest friends. Tell a story without regard to whether your mother, child or Aunt Martha will see it in print. Write of steamy passions, chilling killers or quirky settings. Create bigoted characters, delve into a secret fantasy, fight a devil or go on a crusade with abandon.
Risky writing comes from the heart and finds a ravenous readership. If it doesn’t make you rich, count it as free therapy. Taking the chance to explore what’s concealed beneath the surface will make your writing life richer and that’s the true goal.
Take the challenge and risk it all! Risky writing may reveal your best writing ever.

To my joy, most students consider this handout a permission slip. The results have been several great stories. One student wrote about a very young ghetto boy becoming a “runner” for the Mafia to keep his family from starving. Another’s escapades of a dildo factory worker who loved his work a little too much. (He certainly kept our attention while he read his story aloud.) And I can never forget the story of a naked Emily in the middle of a cemetery.

Oh yes, take a risk now and then. I’m not just speaking to writers here, but to readers, too. Those restricting themselves to reading only cozies may find they enjoy an occasional police procedural or vice-versa. Although mystery is my favorite genre, many times nothing but Stephen King will do. Will his stories scare me? Will I lose sleep staying up all night to finish the book? Will my imagination rehash gory details at odd moments? It’s a risk I am most willing to take.

Posted in Femme Fatale on July 19th, 2007
RSS 2.0 Both comments and pings are currently closed.

6 comments

  1. July 19th, 2007 at 4:41 pm, Travis Erwin Says:

    Write like your momma is dead.

    Can’t recall if I heard that from you or another class, but it has taken me a good many years to put this into practice.

    I feel like I am crawling out on a limb in both of the novels I’m currently working on. I would be working on only one but Debbie pushed me out on that second limb.

    It’s mighty shaky out here but I’m gratfeul to her for the shove.

  2. July 19th, 2007 at 4:44 pm, Deborah Says:

    Just wait until I start shaking the tree…

  3. July 19th, 2007 at 6:56 pm, alisa Says:

    And she will shake the tree, trust me on this Travis! I like your attitude of Risky Writing and have tried to apply it often. If you really want to be askeered, read Dean Koontz. :-)

  4. July 19th, 2007 at 10:12 pm, Lissa Says:

    I like the idea of Risky Writing, too. If I didn’t take the chance of offending an occasional family member I might never have anything interesting to say!! :]]

  5. July 20th, 2007 at 4:35 am, Terrie Moran Says:

    Deborah, You make risky sound like fun. thanks for the encouragement!!

    Travis! Two novels at once! You the man!!

    Terrie

  6. July 22nd, 2007 at 5:57 pm, Katrina Says:

    Deborah, You are absolutely right. Writing is a risk in itself–wondering am I wasting my time?–will someone like it enough to buy it? and then there is the risk of digging deeper and pulling out something you wouldn’t normally expose. Yikes–scary stuff but we all have to learn to STREEETCH! Otherwise we don’t grow.
    Thanks for the encouragement on my blog site. To be honest that has been a stretch for me. Precious memories of ‘home”
    that have been buried a long time.

« Wednesday, July 18: Tune It Or Die! Friday, July 20: Bandersnatches »

The Sidebar

  • Lex Artis

      Crippen & Landru
      Futures Mystery   Anthology   Magazine
      Homeville
      The Mystery   Place
      Short Mystery   Fiction Society
      The Strand   Magazine
  • Amicae Curiae

      J.F. Benedetto
      Jan Burke
      Bill Crider
      CrimeSpace
      Dave's Fiction   Warehouse
      Emerald City
      Martin Edwards
      The Gumshoe Site
      Michael Haskins
      _holm
      Killer Hobbies
      Miss Begotten
      Murderati
      Murderous Musings
      Mysterious   Issues
      MWA
      The Rap Sheet
      Sandra Seamans
      Sweet Home   Alameda
      Women of   Mystery
      Louis Willis
  • Filed Briefs

    • Bandersnatches (226)
    • De Novo Review (10)
    • Femme Fatale (224)
    • From the Gallery (3)
    • High-Heeled Gumshoe (151)
    • Miscellany (2)
    • Mississippi Mud (192)
    • Mystery Masterclass (91)
    • New York Minute (21)
    • Spirit of the Law (18)
    • Surprise Witness (46)
    • The A.D.D. Detective (228)
    • The Scribbler (204)
    • Tune It Or Die! (224)
  • Legal Archives

    • September 2011
    • August 2011
    • July 2011
    • June 2011
    • May 2011
    • April 2011
    • March 2011
    • February 2011
    • January 2011
    • December 2010
    • November 2010
    • October 2010
    • September 2010
    • August 2010
    • July 2010
    • June 2010
    • May 2010
    • April 2010
    • March 2010
    • February 2010
    • January 2010
    • December 2009
    • November 2009
    • October 2009
    • September 2009
    • August 2009
    • July 2009
    • June 2009
    • May 2009
    • April 2009
    • March 2009
    • February 2009
    • January 2009
    • December 2008
    • November 2008
    • October 2008
    • September 2008
    • August 2008
    • July 2008
    • June 2008
    • May 2008
    • April 2008
    • March 2008
    • February 2008
    • January 2008
    • December 2007
    • November 2007
    • October 2007
    • September 2007
    • August 2007
    • July 2007
    • June 2007
    • May 2007
Criminal Brief: The Mystery Short Story Web Log Project - Copyright 2011 by the respective authors. All rights reserved.
Opinions expressed are solely those of the author expressing them, and do not reflect the positions of CriminalBrief.com.