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Wednesday, September 29: Tune It Or Die!

KEEPING IT UNREAL

by Rob Lopresti

A few months ago I was driving around on Saturday morning. listening to This American Life on NPR. The show always features three or four essays or reports on some theme. That week the subject was true crime.

At some point, as a narrator was discussing a murder that occurred in his family when he was a child, I asked my wife “Do you mind if I change the station?”

My wife, who likes the show more than I do, said “Please do.”

Because neither of us had any desire to hear about true crime.

Truth and consequences

Years ago I read an article whose author (name long forgotten, alas) had interviewed the owner of a mystery bookshop for a radio show. The interviewer had decided to explore the question of why mystery readers are interested in true crime. The bookstore owner promptly replied that people who read mystery fiction are not the same people who read true crime. The astounded interviewer had to do some hasty tap-dancing because most of her follow-up questions had been invalidated.

As you can guess, this was no surprise to me. I don’t generally read true crime. This is especially true since so much of it seems to be about serial killers and I don’t even like to read fiction about them. (Silence of the Lambs excepted.)

But why is it that fictional crime is such a pleasure for many of us who have no desire to read about the real stuff? Is it just because nobody really gets hurt? Because we assume (not always correctly) that the creator of the fictional universe will make sure the good guys win? These aren’t rhetorical questions; I’d like to know what you think. And, by the way, what are your favorite true crime books?

In the mean while . . .

Here are a few true crime books I did enjoy. I will talk about the McClure books in more detail one of these Wednesdays.

    Barthel, Joan – A Death in Canaan

    Fletcher, Connie- What Cops Know

    Larson, Erik. Thunderstruck.

    McClure, James. Cop World

    McClure, James. Spike Island

    Simon, David. Homicide: A Year On The Killing Streets.

    Wambaugh, Joseph. The Blooding.

    Winchester, Simon – The Professor and the Madmen

Posted in Tune It Or Die! on September 29th, 2010
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3 comments

  1. September 29th, 2010 at 5:26 am, Leigh Says:

    Before I started writing, I had no interest in true crime, nor did I read books on the topic. After I started writing, I paid attention to news accounts because I’m a stickler for getting it right.

    At times crime seeks us out. The closest friend of a mystery writer some of us know was murdered about a year ago. Understandably, it took a while for her to return to writing.

    A few days ago I spoke with another writer/editor also touched by murders, one she witnessed and another in which she was an unwitting accessory. It happens.

    Perhaps we all write cosies– it’s only a matter of degree.

  2. September 29th, 2010 at 9:38 am, Rob Says:

    Leigh’s comment reminds me that I have written before about another favorite book that is arguably true crime: I Witness. https://criminalbrief.com/?p=820 This book is mystery novelists writing about their encounters with true crime. A surprising number of them seem to have known kidnap victims when they were kids…

    Unrelated… When I saw the wonderful illustration James chose for today I told him “That perfectly describes my Monday.”

  3. September 30th, 2010 at 12:47 pm, Jon L. Breen Says:

    My earliest reviewing was as a true-crime specialist for LIBRARY JOURNAL, but I’ve only been a sporadic true-crime reader. However, I’ve read multiple books on a few classic cases: Jack the Ripper, Lizzie Borden, the Lindbergh kidnaping. Detective fiction, even the most supposedly realistic sort, is really a branch of fantasy, concerning things that almost never exist in real life: multiple suspects, locked rooms, gifted amateur detectives, dying messages, outre murder methods, brilliant murderers with incredibly elaborate plans of misdirection.

« Tuesday, September 28: High-Heeled Gumshoe Thursday, September 30: Femme Fatale »

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