Saturday, July 9: Mississippi Mud
BITS AND PIECES
by John M. Floyd
In the summer of 1981, when I acquired my first VCR and our first cable TV hookup at our house, I started doing something that would continue for the next thirty years. I started videotaping and saving certain scenes in movies that I really liked. (I also taped a lot of full-length movies, of course, but these favorite scenes went onto a separate cassette that I could plug in when I just wanted to see the best parts. Or at least what I considered to be the best parts.)
Our three children grew up watching these special collections of film clips — we called them “bits and pieces” because that’s what they were — and I often worried that I probably ruined some great movies for the kids, because when they finally got around to watching the whole feature, they sometimes already knew the ending, or some of the best twists and turns. But I figured that was a small price to pay, for such neat previews. I was following Elmore Leonard’s advice, and leaving out the parts that people skip.
As you might imagine, a lot of these favorite scenes wound up being either openings or endings. But some weren’t. Since my wife doesn’t watch many movies, and since I was the primary user of the VCR and the TV, the only common denominator for these scenes was that I liked them. (It’s good to be king.) As you might also imagine, the content leaned heavily toward gunfights and car chases. In addition, some of the beginning and ending credits sequences didn’t include anything except the music and the credits themselves (Superman is one example) — but since I’m crazy about movie scores, even that was often enough to make them favorites.
Anyhow, I recently looked back through those seven six-hour tapes, and listed some of the scenes that I saved for posterity. Remember these?
Opening credits — Midnight Cowboy, Top Gun, Raising Arizona, Forrest Gump, Once Upon a Time in the West, From Russia With Love, The Ballad of Cable Hogue, A Shot in the Dark, Blazing Saddles, Crossing Delancey, The Big Country, Dr. No, Two Mules for Sister Sara, Superman, Cat People (1982), The Magnificent Seven
Opening scene — Goldfinger, Raiders of the Lost Ark, Jaws, On Her Majesty’s Secret Service, The Hustler, Romancing the Stone
Final scene — An Officer and a Gentleman, Escape from New York, Cool Hand Luke, Cat Ballou, The Usual Suspects, The Thomas Crown Affair (1968), Back to the Future, Die Hard, Sleepless in Seattle, The Cider House Rules, Silver Bullet, Rudy, Gone With the Wind, Rocky, Dead Poets Society, Wait Until Dark, Lonesome Dove, It’s a Wonderful Life, Blood Simple, Thelma and Louise, Signs, The Silence of the Lambs
Final shootout — Shane, Quigley Down Under, A Fistful of Dollars, The Last Sunset, Butch Cassidy and the Sundance Kid, 3:10 to Yuma (2007), High Noon, For a Few Dollars More, Hombre
End credits — Glory, Body Heat, M*A*S*H, Peggy Sue Got Married, Victory, Ferris Bueller’s Day Off, Monte Walsh (1970), A Funny Thing Happened on the Way to the Forum
Car/train chase, The French Connection
“Play it, Sam” scene, Casablanca
The throne room, Star Wars
Breaking the sound barrier, The Right Stuff
Final card game, The Cincinnati Kid
Bank robbery (“Do you Feel Lucky?”), Dirty Harry
Orient Express fight with Red Grant, From Russia With Love
Prisoners’ march, The Bridge on the River Kwai
Rooftop scene, The Untouchables
Escape from Galaxy Island, Our Man Flint
Rescue of Carol Anne, Poltergeist
“Make My Day” scene, Sudden Impact
Final audition, Flashdance
Car chase, Bullitt
“Minimum safe distance” scene, Aliens
Travolta/Thurman dance, Pulp Fiction
Starting up the plane, Flight of the Phoenix (1965)
Final home run, The Natural
Climbing in Monument Valley, The Eiger Sanction
“I’ll have what she’s having” scene, When Harry Met Sally
Desert rescue of Roger’s daughter, Lethal Weapon
Flying, Out of Africa
“I love Kung Fu” scene, Office Space
Fistfight in the apartment, The Bourne Identity
Death of Oddjob, Goldfinger
Chasing the brumbies, The Man From Snowy River
“Is it you?” scene Somewhere in Time
Banjo and guitar, Deliverance
“Seventy-six Trombones,” The Music Man
Arrival of the killers at the farm, Witness
The fruit cellar, Psycho
Final race, The Black Stallion
“Now that’s a knife” scene, Crocodile Dundee
Dorinda’s flight, Always
Chased by the train, Stand by Me
Buffalo stampede, Dances With Wolves
“You can’t handle the truth” scene, A Few Good Men
Defusing the bomb, The Abyss
Death of Reverend Scott, The Poseidon Adventure
“Old Man River,” Showboat
Crop duster, North by Northwest
Church wedding, The Graduate
“Hi, Boo” scene, To Kill a Mockingbird
Chariot race, Ben-Hur
Railroad crossing scene, Close Encounters of the Third Kind
First glimpse of the dinosaurs, Jurassic Park
Motorcycle chase, The Great Escape
Opening credits of TV shows: Hill Street Blues, Dallas, Ben Casey, Remington Steele, The Wild Wild West, Crime Story, Miami Vice, China Beach, The Rifleman, Cheers, Cimarron Strip, ER, The Avengers, The Man From U.N.C.L.E., Mission Impossible
Question: If you were crazy enough to save clips like these, what would be some of your favorite scenes? Or would you want to capture any at all? I’ve heard some folks say it’s a disservice to a film to watch part of it, out of context, without watching the whole thing.
And please, don’t let this odd habit of mine give you the impression that I enjoy all movies. Some of them I don’t like a bit. An example? I’ll put it this way:
Never re-watching Love Story means never having to say I’m sorry.
You’ve got some fabulous scenes here, John.
I recently re-watched The Shooting Party, a British film starring James Mason that takes place in England just before the start of WW1. It’s a wonderful film with a gem of a scene between Mason, the lord of the manor, and John Gielgud as an animal rights advocate protesting the pheasant shoot that’s going on. You can see, as you watch it, how much these two actors enjoyed playing off each other.
The Shooting Party was a great movie, and James Mason remains one of my favorite actors. Another of my favorites is Jack Nicholson — I watched Chinatown again last night, and boy do I love that one. Possibly the best screenplay ever written.
I’m not big on separating scenes, but when it comes to opening credits… how could you leave out
The Prisoner
Get Smart
Lou Grant
Lou Grant was about a newspaper editor. The credits began with a bird singing in a tree. The tree is cut down, turned to paper, covered with newsprint, thrown onto the roof by a paperboy, and eventually winds up lining a birdcage under a triumphantly singing songbird. Talk about storytelling.
Rob, I’m sure I left out a great many good scenes. Actually, I do have the opening of Get Smart, and I agree with you on the other two as well. It never surprised me that the Lou Grant opening credit sequence was well done because the series itself (like the Mary Tyler Moore Show, the Bob Newhart Show, and so many others of that era) was great also.
For a long time, I ran up a collection of opening title sequences from TV shows, mainly those with catchy theme tunes.
I got a lot of the same ones you mention, but I have a few others that I think I’m not the only one who remembers fondly:
Kolchak: The Night Stalker
Darkroom
Bring ‘Em Back Alive!
St. Elsewhere
most Quinn Martin shows
… and my memory is giving out on me.
More when I can reengage it.
Thanks, Mike, for mentioning those. I had St. Elsewhere and Kolchak on my tapes as well, and just didn’t list them.
Didn’t Mike Post write the St. Elsewhere theme? I liked almost all of his music, especially Hill Street Blues, Rockford Files, Quantum Leap, etc.
The St. Elsewhere theme was composed by Dave Grusin, reportedly using nothing but synthesizers.
Just thought of another short-run fave of mine:
Barbary Coast, composed by John Andrew Tartaglia.
And just now looking back at the post to date, how did everybody miss the original Hawaii Five-O title, designed and shot by Reza Badiyi (who, come to think of it, designed a lot of these others)?
Book him, Danno.
I still wish that, just once, someone had messed up Steve McGarrett’s hair. As I recall, it never moved.